![]() ![]() An album of astonishing versatility, it ranges from the controlled menace of Seen It All Before to the naked aggression of Anti-Vist from the bubbling electronica of Can You Feel My Heart? to the metallic attack of The House Of Wolves from the irresistibly anthemic chorus of Shadow Moses to the uncompromising fury of Go To Hell. “And that whatever song you listen to, you should know what it’s about, at a certain level, straight away.”Īnd the results of Bring Me The Horizon’s new approach, and the hugely intense recording sessions at Angelic Studios in Banbury (“Whenever we took a break, I could tell it was killing Oli,” says Jordan, “He’d be itching to get back to work”) are splattered all over Sempiternal. “The idea behind Sempiternal is that we wanted every song to have a different theme musically and lyrically,” says Oli. Oli also changed up the way he worked, taking singing lessons, spending hours crafting perfect lyrical soundbites and even studying the science of “what makes a melody catchy”. “But we’ve moved on a bit from that: it can still sound massive but it’s not just based around a breakdown.”īut they didn’t stop there. “Before, we used to build up and then go into something super-heavy,” says Lee. Jordan opened up a lot of stuff that we’ve always wanted to do, but couldn’t.” “We always said we want to push boundaries, but this time we pulled it off. “We’ve never wanted to just be beholden to the metalcore thing,” says Oli, who as boss of his own, wildly successful clothing line Drop Dead, has long defied the metal stereotype. ![]() ![]() Jordan jokes about falling on his feet by joining BMTH just as they look likely to become one of the biggest rock bands in the world, though he’s certainly paid his dues (“I’ve done all the shit bits of being in a band, just without anyone knowing about it…”) and he also played a vital role in overhauling BMTH’s sound, his electronic soundscapes adding depth and space to their raw rock power. Initially, he was supposed to play a support role, but soon he was writing with Oli, and bouncing ideas off Lee, and slowly-but-surely he became an integral member of the band. Previous BMTH albums were no strangers to electronic sounds, but this time around Oli brought in Jordan Fish, formerly of atmospheric electronic-rockers Worship, to help integrate keyboards and programming into the band’s sound from the very start of the process. It was time to rip up the rulebook and start again. Before, BMTH albums had often been put together on the hoof between tours, but for Sempiternal they had plenty of time and a license to experiment. This time around, Bring Me The Horizon were determined to deliver an album that – in the words of guitarist Lee Malia – was “as close to perfect as we could make it”. Now that they had to do the hardest thing for any band in their position – essentially, the hottest breakthrough metal band on the planet – to do: nothing.įor frontman Oli Sykes, the band’s first proper downtime since they formed in Sheffield in 2004 was a much-needed chance to take care of business, both of the commercial (Bring Me The Horizon signed to RCA after three albums on indie Visible Noise) and personal variety (“writing became my passion again”.Ĭonsequently, when the time came to begin work on their fourth album, Sempiternal (an old English word meaning “everlasting”), Oli found himself in a “better position and clearer mindframe than ever before – I was working at 110% whereas before it was always 50%, because there was stuff going on that was hindering me”.īut he also knew that a clear head alone would not be enough to craft a truly game-changing modern rock record. Inspired an obsessed army of devotees, not to mention an almost-as-vociferous band of haters. Played astonishing, show-stealing gigs everywhere from the Vans Warped Tour to Reading & Leeds Festivals. They’d sold out shows across Europe, Asia, Australasia and North and South America. There Is A Heaven, Let’s Keep It A Secret had proved both a critical smash and their worldwide breakthrough, smashing into the Top 20 on both sides of the Atlantic and going to Number 1 in Australia. Their third album There Is A Hell, Believe Me I’ve Seen It. When Bring Me The Horizon finally returned home from their last world tour in December 2011, they’d been on the road for two whole years. ![]()
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